THE NME has this week declared the £250,000 pledged to bring the Foo Fighters to Cornwall should be spent on the local music scene instead.
The music paper's Laura Snapes wrote of the Crowdfunder initiative: "An under-served audience is making themselves heard. I grew up in Falmouth, so I know what it's like to frequent the one covers band that do Franz Ferdinand because it's something, but while I admire these fans' energy, I'm also sceptical.
"While regular people have been supporting the campaign, their willingness to stump up for a gig that might not happen is sad news for indie promoters who struggle to get people to pay to watch local acts. Even Peace barely filled Falmouth's Princess Pavilion earlier this year.
"The harsh truth is that the arts aren't most Cornish people's priority.
"So you see this Foos-designated £214,000 (at the time of writing) and imagine what else it could fund: sustainable community projects in poor towns like Redruth, which recently hosted the inaugural Inland Art Festival with a hard-won Arts Council grant. It could better equip Troubadour, a brilliant studio/venue in a Falmouth harbour warehouse frequented by the town's great bands – The Black Tambourines, Red Cords and Lost Dawn among others. Penzance punks Crows-An-Wra could press a record. Knee Deep Festival could ensure its future."
While I agree with some of Laura's points, which are also featured in an online blog at NME.com, there are more I don't.
She is in the fortunate position of being in a major city where she is paid to attend big-name concerts, if she chooses.
Music-lovers in Cornwall have to travel to Bristol, at best, or usually London to see these acts, with all the travel and accommodation costs that incurs.
The people of Cornwall have spoken in this case.
I'm no Foo Fighters fan, but it doesn't matter which big band this Crowdfunder bid sought. If it starts the ball rolling and we get the Princes, U2s and Stones of the world down here then it can only be praised.
Funding for the arts in our county is a whole other issue, and to declare "the arts aren't most Cornish people's priority" is patronising.
Try telling that to all those who support our galleries, the myriad theatregoers who lap up every Kneehigh, Rogue and Miracle performance, the thousands who voted in our What's On Cornwall Awards for best Cornish band, solo artist, venue, etc.
Laura's right when she says those smaller scale gigs aren't supported. It's frustrating and often embarrassing when the likes of The Charlatans' Tim Burgess or The Wedding Present play to less than 200 people in a spacious venue.
But ploughing a quarter of a million pounds into a tiny recording studio/venue (which is charming as it is), an arts / music festival, or punk band EP is no guarantee of bringing those missing Cornish music fans out of the woodwork. In fact, I know they would attract the same numbers they do now. And, thus, the money would be wasted.
Cornwall just hasn't got the population to ensure a stellar turn-out at many arts events, as galling as that may be. What may entice the hip and groovy in Dalston, may also fall upon deaf ears in Camborne.
For those of us whose tastes are more esoteric it may irritate that the likes of UB40 play to thousands at Heartlands while The Fall play to a small audience at the Princess Pavilion. But that's the nature of the beast – pop music will always attract the wallets of those who have long given up on regular gigs.
Having said that, ask any band doing the pub circuit and they get much better audiences down here than they ever do upcountry.
As far as I can see the local music scene is doing very well, thank you very much. The Black Tambourines, Lost Dawn and Red Cords are about to head out of Cornwall on tour; Falmouth University's music course is producing stunning acts at a huge rate; the likes of Pastel Colours are played on BBC 6 Music; Backbeat Soundsystem are now one of this country's leading reggae bands, and acts as varied as jazz singer Johanna Graham, folk songwriter Sarah McQuaid and the ever-popular Ruarri Joseph fill out venues wherever they play in the UK.
Instead of the NME telling us how to run our "local scene" perhaps it should have shortlisted a Cornish venue in its best small venue competition. The Thekla in Bristol is a long way from Kernow ....
![Why the NME's snubbing of the Foo Fighters Crowdfunder bid in favour of the Cornish music scene is patronising and unrealistic Why the NME's snubbing of the Foo Fighters Crowdfunder bid in favour of the Cornish music scene is patronising and unrealistic]()